Consciousness, art, and the brain: Lessons from Marcel Proust.

Every theory which begins with man, outside of this moment of self-attainment, is a theory which thereby suppresses the truth, for outside of the Cartesian cogito, all objects are no more than probable, and any doctrine of probabilities which is not attached to a truth will crumble into nothing. In order to define the probable one must possess the true.

The book is not only a general interpretation of Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of the literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature.

In his study, Distinction: A Social Critique of the Judgement of Taste, the sociologist Pierre Bourdieu argues that the kinds of distinctions Proust's narrator wants to make are characteristic of modernist art and literature, and that modernism in general participates in and reinforces kinds of social stratification that tend to divide and oppress.

In Richard Howard’s graceful translation, augmented with an essay that Deleuze added to a later French edition, Proust and Signs is the complete English version of this work. Admired as an imaginative and innovative study of Proust and as one of Deleuze’s more accessible works, Proust and Signs stands as the writer’s most sustained attempt to understand and explain the work of art.

Essays and reflections from one of the twentieth century’s most original cultural critics, with an introduction by Hannah Arendt. Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht.

In the book’s final and most personal essay, she reflects on the realization of her impending death. Featuring thirty-seven color images of her art, The Weather in Proust offers a comprehensive view of Sedgwick’s later work, underscoring its diversity and coherence.

One of the major philosophical currents in Proust's day was the study of the nature of time. Albert Einstein's general theory of relativity inspired scientists and artists alike to reassess the meaning of time and the inherent subjectivity of existing interpretations of time.

The purpose of this book is to introduce a new method of interpreting art: art as a form of therapy. It’s the authors’ contention that certain art works provide powerful solutions to our problems, but that in order for this potential to be released, the audience’s attention has to be directed.

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Tate Papers no.9 Spring 2008 Perspectives: Negotiating the Archive Sue Breakell Alfredo Jaar and the Post-Traumatic Gaze Olivier Chow Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830 Douglas Congdon-Martin.

The theoretical writings of Theodor Adorno and Walter Benjamin are explored in historical and political contexts, including Marxism, socialist realism, and late capitalism. The concept of mechanical reproduction, specifically the relationship between labor and art, is explained at some length.

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